614 Royalty-Free Audio Tracks for "Joseph Boulogne De Saint George"

Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “

De la wiki en inglés. Brief extract from development section of the Symphony #96 ("Miracle") by Joseph Haydn. Recorded on an acoustic piano by Opus33 using Audacity software. This music is in the public domain. This sound file is hereby released into the public domain by Opus33.

Maria, Maienkönigin, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 896

The galop from the operetta Geneviève de Brabant by Jacques Offenbach, transcribed by John R. Bourgeois, and played by the United States Marine Band under Bourgeois's direction. This piece is an instrumental version of the "Gendarmes' Duet", and formed the basis of the "Marines' Hymn".

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 3. Finale (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

A live recording from the KWKH Louisiana Hayride out of Shreveport, LA: George Jones sings I'm Ragged But I'm Right Live-Mitschnitt des KWKH Louisiana Hayrides aus Shreveport, LA: George Jones singt I'm Ragged But I'm Right

Waltz Chiapa de Corzo

Nun saget Dank und lobt den Herren (Evang. Gesangbuch 294; Gotteslob (1975) 269)

The "Marche Hongroise" from La damnation de Faust by Hector Berlioz, played by the U.S. Marine Band for the album Director's Choice.

Morgenstern der finstern Nacht, Gotteslob (1975) 555; Gotteslob (2013) 372

God Defend New Zealand, one of the two national anthems of New Zealand.

Nederlands: Hoe groot de vrugten zijn Der schöne OstertagÜbertragung (R.F.): Kein Felsen hält ihn fest, kein Grab hält ihn gefangen. Er hat die Welt erlöst und ist ins Licht gegangen. Die Schuld, die Angst, den Tod, die alle Menschen banden, er sprengt, was uns bedroht: der Herr ist auferstanden, erstanden. Wo käme Hoffnung her und Kraft zum Überwinden, wenn er gescheitert wär? Es hätten Leid und Sünden das ewig letzte Wort und alles wär zuschanden, die Zukunftssaat verdorrt. Doch er ist auferstanden, erstanden. Er geht durch Todesflut wie Mose einst ins Freie und macht den Seinen Mut zum Aufbruch in das neue, das zugesagte Land, das wir allein nicht fanden, durch Meer und Wüstensand. Denn er ist auferstanden, erstanden.

Was mein Gott will, gescheh allzeit (Evang. Gesangbuch 364)

Interpret: Harry Mortimer Titel: Trumpet Concerto in E Flat Komponist: Joseph Haydn Genre: Kammermusik Aufnahmedatum: 19. Juni 1946 Erstveröffentlichung: 1949

Public Health Service March, performed by the United States Coast Guard Band

Nè gustare m'è dato un'ora... from act 3, scene 3 of La forza del destino (1862), by Giuseppe Verdi. Sung by Enrico Caruso and Giuseppe De Luca, I believe for Pearl.

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/249:22:6

The national anthems of South Africa and the U.S. performed at the White House in 2000 by a U.S. military band.

Surinamese national anthem, performed by the U.S. Navy Band.

Instrumental version of Das Lied der Deutschen by Haydn, performed by the US Navy Band.

Ethiopia Rag

Ich will dich lieben, meine Stärke (Gotteslob (1975) 558; Gotteslob (2013) 358)

Dich, König, loben wir; Gotteslob (1975) Hildesheim 853; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 798

Ethiopia Rag

George Frideric Handel's Water Music: 17. & 18. Rigaudon (Suite No. 3 in G, HWV 350: II. Rigaudon) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

George Frideric Handel's Water Music: 16. Sarabande (Suite No. 3 in G, HWV 350: I. Sarabande) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

George Frideric Handel's Water Music: 13. Minuet (Suite No. 2 in D, HWV 349: V. Minuet) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

George Frideric Handel's Water Music: 12. Alla hornpipe (Suite No. 2 in D, HWV 349: II. Alla hornpipe) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

This is considered the first Jazz recording. "This tune was issued on an Edison Blue Amberol wax cylinder in April of 1917 and on an Edison record in July of that year." Jazz band

1st release date: 1942 1st recording date: 29 August 1942 Place of recording: unknown Author(s)/Composer(s): George Frideric Handel (1685-1759) Music arranger(s): Sir Hamilton Harty (1879-1941) Lyricist(s): none Conductor: Sir Malcolm Sargent (1895-1967) Performer(s): The Hallé Vocal range: instrumental Title/Work: Water Music, HWV 348-350 Content: Suite in F major, HWV 348: Allegro deciso Genre(s): Suites

George Frideric Handel's Water Music: 19. & 20. Menuet (Suite No. 3 in G, HWV 350: III. Menuet) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

George Frideric Handel's Water Music: 21. & 22. Gigue (Suite No. 3 in G, HWV 350: IV. Gigue) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

George Frideric Handel's Water Music: 15. Bourrée (Suite No. 2 in D, HWV 349: IV. Bourrée) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

George Frideric Handel's Water Music: 11. Allegro (Suite No. 2 in D, HWV 349: I. Allegro) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

George Frideric Handel's Water Music: 14. Lentement (Suite No. 2 in D, HWV 349: III. Lentement) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.

Concerto for Violoncello and Orchestra in B minor, op. 104 - 1. Allegro (Pierre Fournier, George Szell, Berliner Philharmoniker, Germany)

Brunn alles Heils, dich ehren wir, EG 140 Gott, aller Schöpfung heilger Herr, EG 142 Lobt Gott, den Herrn der Herrlichkeit, EG 300 Ein wahrer Glaube Gotts Zorn stillt, EG 413 Herr, gib uns unser täglich Brot, EG 464 Dreifaltiger verborgner Gott, Gotteslob (2013) Kirchenprovinz Hamburg 794

You're a Grand Old Flag, performed by the United States Coast Guard Band of New London, Connecticut.

Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.

God of Our Fathers performed by the Concert Band of the United States Air Force Heritage of America Band. Track 55 from disc 1 of Ceremonial Music (2005).

1st release date: 1936 1st recording date: 4 October 1935 Place of recording: London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor(s): Thomas Beecham (1879-1961) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 99 in E-flat major Content: 1st Movement - Vivace assai (Conclusion) Genre(s):Symphony

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 2a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

El Noi de la Mare, a Catalan folk song on guitar. Das katalanische Weihnachtslied "El Noi de la Mare" ("Der Mutter Kind"), auf einer Konzertgitarre vorgetragen. "El Noi de la Mare", villancico catalán del siglo XVI interpretado con guitarra clásica. Македонски: Каталонска божиќна песна El Noi de la Mare („Мајчин син“) во инструментална изведба на класична гитара.

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Pericón nacional (Aire Nacional) Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Tango de los negros Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 1a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

Vice-President of the United States ("Hail Columbia") performed by the Concert Band of the United States Air Force Heritage of America Band. Track 32 from disc 1 of Ceremonial Music (2005).

Adventsantiphon Ecce Dominus veniet in der Bearbeitung von Josef Schnabel, Breslau 1831; Gotteslob (1975) Hildesheim 810; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 724